Because some of the extraordinary things I've experienced as a musician -- when you may have a 15-year-old lad who has got the most incredible challenges, who may not be able to control his movements, who may be deaf, who may be blind, etc., etc. -- suddenly, if that young lad sits close to this instrument, and perhaps even lies underneath the marimba, and you play something that's so incredibly organ-like, almost -- I don't really have the right sticks, perhaps -- but something like this -- let me change -- (Soft marimba sounds) (Soft marimba sounds end) Something that's so unbelievably simple -- but he would be experiencing something that I wouldn't be, because I'm on top of the sound.
Jer znate, doživjela sam  neke izvanredne stvari kao glazbenica, kad imate  15-godišnjeg mladića koji pred sobom ima  najzahtjevnije izazove, koji možda nije u mogućnosti  kontrolirati svoje pokrete, koji je možda gluh,  možda slijep, itd., itd. -- i odjednom, ako taj mladić  sjedne blizu instrumenta, ili čak legne ispod marimbe, a vi svirate nešto što izuzetno  podsjeća na orgulje, skoro -- Nemam baš odgovarajuće  prave palice, možda -- ali nešto slično ovome. Samo da promijenim. (Glazba) Nešto tako nevjerojatno jednostavno -- ali on bi doživio nešto  što ja ne bih mogla, jer ja se nalazim iznad zvuka. Meni zvuk dolazi iz ovog smjera.