And at the very core of this crisis of mine, I felt somehow the life of music had chosen me, where somehow, perhaps possibly in a very naive sense, I felt what Skid Row really needed was somebody like Paul Farmer and not another classical musician playing on Bunker Hill.
I u samoj srži te svoje krize, osjetio sam kako je život glazbe izabrao mene, i nekako, možda vjerojatno u vrlo naivnom smislu, osjetio sam da Skid Row ima potrebu za nekim poput Paula Farmera, a ne za još jednim klasičnim glazbenikom koji svira na Bunker Hillu.