And into the slow, second movement, marked "adagio religioso," he incorporated the sounds of birdsong that he heard outside his window in what he knew would be his last spring; he was imagining a future for her in which he would play no part.
I u polaganom, drugom pokretu naznačio adagio religioso, pripojio je zvukove ptičjeg pjeva, koje je čuo kroz prozor, u nešto za što je znao da će biti njegovo posljednje proljeće. Zamišljao je budućnost za nju, a u kojoj njega neće biti.