Saddled in the performing arts as we are, by antiquated union agreements that inhibit and often prohibit mechanical reproduction and streaming, locked into large facilities that were designed to ossify the ideal relationship between artist and audience most appropriate to the 19th century and locked into a business model dependent on high ticket revenues, where we charge exorbitant prices.
Ušuškani u živu umjetnost, kroz zastarjele sindikalne sporazume koji su kočili i često spriječavali mehaničku reprodukciju i protok, zaključani u velike ustanove koje su dizajnirane kako bi okoštale idealan odnos između umjetnika i publike najprikladniji za 19. stoljeće i zaključani u poslovni model koji ovisi o velikim prihodima od karata, gdje naplaćujemo astronomske cijene,