But it is also full of foreboding  imagery, such as “a child's cry” that “melts  in the wall” and a “red/eye, the cauldron  of morning.” This darkness is echoed throughout  the collection, which includes controversial references  to the holocaust and the Kamikazes.
No pjesma obiluje i zloslutnim slikama, kao što je „dječji krik” koji se „rastapa u zidu” i „crveno/oko, kotao jutra”. Tama prožima cijelu zbirku, koja sadržava kontroverzne aluzije na holokaust i kamikaze.