And, if you look at the, kind of the way these things are constructed, there's a lot of mediation by glass, and it's very blue, and kind of professional -- in that way that, you know, Woody Allen comes up from under the sheets in that scene in "Annie Hall," and said, "God, that's so professional." And that you don't -- there's no passion in it, and it's not hands on, right, and, you know, pun intended. Whereas good interpretation -- I'll use an example from nearby -- is San Francisco Exploratorium, where all the things that -- the demonstrations, and so on, are made out of everyday objects that children can understand, it's very hands-on, and they can engage with, and experiment with.
Ako promotrite način na koji su ove stvari poslagane, sve je puno staklenih pregrada, sve je plavo i nekako profesionalno, znate, kao kad Woody Allen izroni ispod pokrivača u sceni s Annie Hall, i kaže: "Bože, to je tako profesionalno" i vi ne možete -- nema strasti u tome, stvar se nije držala u rukama, a ova dosjetka je namjerna, znate. S druge strane, dobra interpretacija bi bila, dat ću primjer iz blizine, iz Exploratoriuma u San Franciscu, gdje je sve – demonstracije, i tako dalje, načinjeno od svakodnevnih predmeta koje djeca mogu razumjeti, pristup je praktičan i ona se mogu uključiti i eksperimentirati.