Let's zoom in on one section of it right here. You can see it's rather detailed. I do all of this with drafting templates, with straight edges, with French curves, and by freehand, and the 72 feet was actually split into 12 six-foot-wide panels that were installed around the Cantor Arts Center Museum lobby balcony, and it appeared for one year in the museum, and during that year, it was experienced as visual art most of the week, except, as you can see in these pictures, on Fridays, from noon til one, and only during that time, various performers came and interpreted these strange and undefined pictographic glyphs. (Laughter) Now this was a really exciting experience for me.
Zumirajmo jedan dio. Možete vidjeti da je prilično detaljno. Sve to radim pomoću skiciranih predložaka, ravnih rubova, francuskih krivulja i slobodnom rukom. Ta 22 metra bila su zapravo podijeljena u 12 ploča od 1.8 metara koje su bile instalirane oko balkona predvorja Cantor Arts Center muzeja gdje je bilo izloženo godinu dana. Tijekom te godine uglavnom je promatrano kao vizualna umjetnost veći dio tjedna, kao što možete vidjeti na slikama, ali petkom od podneva do 1 i samo tijekom tog vremena razni su izvođači dolazilii i interpretirali ove neobične i nedefinirane piktografske znakove. (Smijeh) To je bilo vrlo zanimljivo iskustvo za mene.