Richard Serra had to let go of painting in order to embark on this playful exploration that led him to the work that he's known for today: huge curves of steel that require our time and motion to experience. In sculpture, Richard Serra is able to do what he couldn't do in painting.
Richard Serra morao je napustiti slikanje kako bi otisnuo na svoje razigrano istraživanje koje ga je dovelo do posla po kojem je danas poznat: nabori čelika koji zahtijevaju naše vrijeme i pokrete kako bismo ih iskusili. U skulpturi, Richard Serra može učiniti ono što nije mogao u slikarstvu.