We take the viewer on a journey that happens right now in real time, and the viewer gets the feeling of actually being there, actually being on the train, on the boat, and knitting together with others, and the reason I think why they're doing that is because we don't edit the timeline.
Gledatelja vodimo  na putovanje koje ide uživo i on dobije dojam da je uistinu tamo, na vlaku, na brodu, kao da plete među ostalima, a mislim da to rade zato što ne editiramo razvoj događaja.