In Johannesburg, I had the opportunity to play to a mainly white, middle-class South African audience who ended up in tears because I use film clips that really touch the heart, the whole nature, of this terrible tragedy that is taking place, that people are tending to avoid, because they are fatigued, and they really don't quite know what the solutions are.
U Johannesburgu, imala sam priliku svirati uglavnom za bijelce, publiku južnoafričke srednje klase koji su završili u suzama, jer koristim filmske klipove koji stvarno dodiruju srce, ukupnu prirodu, ove grozne tragedije koja se događa, koju ljudi pokušavaju izbjeći, jer su zamoreni, i u stvari ne znaju točno kakvo je riješenje.