So, because of this explosion in access to sound, especially through the Deaf community, this has not only affected how music institutions, how schools for the deaf treat sound, and not just as a means of therapy -- although, of course, being a participator of music, that definitely is the case as well -- but it's meant that acousticians have had to really think about the types of halls they put together.
ovo nije samo utjecalo na način  kako glazbene institucije, kako se škole za gluhe odnose prema  zvuku, i ne samo kao sredstvu terapije -- mada naravno, kao sudionica glazbe, to je zasigurno također slučaj. Izgleda da su akustičari zaista morali  razmišljati o vrstama dvorana koje su gradili. Postoji  tako malo dvorana u svijetu koje zaista imaju vrlo dobru akustiku,